Du Yong Qiao: A painting with the heart man
days in the water swimming
Du Qiao artist living in Sichuan, he engaged in teaching for half a century painting and painting to complete a number of oil paintings, has trained many outstanding artists . but lived alone for decades in the life of ups and downs, according to the situation of contemporary Chinese art, he can be a Born in a poor family in Sichuan Yuechi. parents living outside year round away from home, lonely and hungry, like clouds, like Xiu, filled with memories of his childhood. But who's childhood is always different from the new years of accumulated knowledge, in Du Yong Qiao memories, Du Grand Courtyard of the old house is his childish hospital: conditions of his early life as the sun light. piled attic of his house a large number of books, newspapers, including the early 20th century the most famous publication Foreign black and white photos, color and Western paintings. Du Yong Qiao recalled, he often read books and magazines in the attic in the picture card most fun childhood, he saw books and magazines from all those pictures, which is a lonely country boy who is simply a window leading to the unknown world. When he was able to hand every day in a variety of materials the paint, the juices will flow only from the image of the natural and the surrounding villages and the impression material, books, magazines that never see the graphics, which greatly expanded the imagination of his paintings.
elementary school, Du Yong Qiao Take the picture of course well known for outstanding achievements in school, had given on behalf of low-grade class picture. until fourteen years old, he first saw his paintings mm He moved back into town for a basket of oranges to sell, In a small street with an open door, he saw from the outside wall of this main room door a few paintings, the picture is mountains, waterfalls, trees, birds, flowers bamboo. This is simply past life repair to the moment, he dropped the basket loaded citrus, quietly walked into the main room of people to climb up armchair nearer the viewer. has never been masters of the visual enjoyment and hear footsteps jumped out of a chair to escape the intense feelings of panic, has been remain in his heart. Later the mother took her to church my grandpa, my grandpa is a church large collection of local paintings, Du Yong Qiao face of those paintings, began to feel their Xinshou applied with the real differences between the paintings.
Yuechi text entered junior high school is the first year, Du Yong Qiao met the first painting teacher enlightening mm picture of pure yellow. Huang peculiar way of teaching, so that the children leave the village down the doodles are embarking on a long painting way .1951 Chengdu Art Academy was admitted after two years of Art in the southwest United States and post-merger (now the Sichuan Academy of Fine Arts). entering institutions of higher art, the art environment with a relatively wide, and he eagerly studying Chinese and foreign art of painting to As a go sigh the night of fire and fire majestic beauty of the colors. After some relayed to say that others are fighting, Du Yong Qiao said that the color of fire look good, even support from this type of easel painting hh become a powerful critique of his credentials. 50-60 years in the 20th century, the so-called people, and he has a . then life, outside forces have been forced to change his mind life.
southwestern United States to learn and teach in the early post-laid a solid painting Du Yong Qiao basic literacy. difficult conditions did not hinder his efforts to temper the feeling paintings, for example, he often live in a dark cramped room swipes painting, this painting also means that would better be carried forward earlier.
from art education and social and cultural environment, his color, shape increase capacity, with the then young generation of Russia and the Soviet Union to study the art. learning the Soviet art, is 50 years teaching in Chinese Art Southwest United States and specifically the cultivation of the ideal object, but because of poor political performance, he could not enter the select in the nomination list. for the arts endowment has excellent swimming Du Qiao, attractive he is not the subject of Russian art, ideas and ideological tendencies, but its lyrical sense of color and form of the human mm in these two areas, is absolutely better than the Russian and Soviet paintings of Chinese painting at the time.
1956, he graduated from the Southwestern United States and specifically, the date of allocation, as announced Du Yong Qiao stayed teaching, the conference race warm applause. we can see early youth, even if they are regarded as typical of white professionals, Du Yong Qiao's artistic talent has a total of concern identified by teachers and students of art. to become teachers, the Du Qiao dedicated to teach swimming lessons, counseling students. all who have received his guidance, watching and learning to paint over his students, are deeply devoted his elegant style and artistic approach inspired arts administration. many students to study for his painting of the in the young students in the spread of some though with a childlike, but quite telling epigram: ; hh throughout the 50's, Du Qiao and others, like swimming, in addition to teaching, most of the time for the completion of the creative spirit of the mandate of current affairs publicity busy. But even in those who work, painting, form and color, has never left the young artist's vision . From his early oil paintings, watercolors and prints, you can trace the meandering front line of his footprints.
1958 年 after the start of the Great Leap Forward, Du Yong Qiao and thirty schools a few teachers have been placed under the Baiyun Mountain, where the degree of been known in Chinese history , for the purchase of food, intended to sell the most valuable thing his family for many years painting boxes mm hh difficult life go hand in hand with the creation of the rich, in the form of his life on the road strange contrast. In the height of the struggle, he is still to paint, is still pondering on the screen look. to large critical column posted, his paintings quickly dismissed under the stolen works by this propaganda team had continue to be Ziyang Liang farms and factories working, open-door, he did not give up the chance to paint. Cultural Revolution years, the biggest blow to his work is his most satisfying destruction mm he elected representative, to his sister on his behalf preserved. Who can expect the innocent younger sister had their homes searched, and his paintings are regarded as the became the target of the criticism. Organization installment of the loss of paintings can not make up for it is another blow. to gradually ease the social and political situation, his situation is still very insufficient means to get a decent canvas, will give him unexpected joy. They say the suffering of the poet , but for the plastic arts, it must rely on the appropriate material conditions to be generated and exist. to DU swimming talent and hard work chiu, the excellent work that has handed down more, but unfortunately people are embarrassed once again witnessed the erosion of material life to the spirit of the product, the artist's talent is suppressed and restrictions difficult time.
after the Cultural Revolution ended, Du Yong Qiao situation improved gradually as his artistic achievements of the Sichuan Academy of Fine Arts outside the known. but he saw, by the mainstream media and national art Hall admitted that collection of work he was excited. I can not guess whether he has been settlement. today's Chongqing Nanshan, has become a bustling tourist attraction. Nanshan a decade ago, a pack of cold lonely on top of it. But it is far from the hubbub of city life in the mountains, DU continue uninterrupted beach firewood to think of his art and painting experiment. familiar with Du Yong Qiao people think Buju Nan Shan four years, his painting style of brewing and the transition of new opportunity. Nanshan similar incident with the solitude, that he converted to Buddhism. back in 1979, he began studying Buddhism, 1991,1993 years, accompanied by his wife, Du Qiao Yong Shan to Chengdu from Zhaojue Si and Mianzhu Han Wang Xiangshan Temple, clouds Temple worship monks. from future development perspective, it was not his impulse, but the inner realm of the turn, he hopes in religion,.
1994, the Du Yong Qiao moved back from the Sichuan Academy of Fine Arts, Nanshan, return to his alma mater, the artist's body and mind have suffered a change. He always quiet, gentle, inoffensive, but he was in art appeared greater passion.
Du shi beach firewood to oil painting, but his early years extensively, learning Chinese painting teenager into the College of Art after sketches, watercolors, prints have experience in all aspects, which makes his painting to obtain full freedom. His paintings to landscapes, followed by the body, portraits and still life works.
composition from the early plot can feel natural and urban environment on the Du Qiao very attractive beaches, Even if he portrayed characters, but also a figure depicting the activities in certain circumstances. youth work (such as basis, he of pure painting step by step treatment to the delicate brush strokes of color and freedom to create a vibrant and visual rhythm.
drawn from the perspective, Du Yong Qiao landscape can be divided into two types. is a more open natural mountain, the other is relatively closed in the street fair. The former, such as 1979), , mm quiet contemplation. Even those sunny and warm, the scenery, but also with a natural phenomena has been the basis for his creation, but personal in nature, the sentiment has increasingly become the main theme of work, until all the artist's mood dip. Many people talk about DU Yong Chiao and Russian painting between some of his paintings (River, and the approximate color and more recitative style in a way. aforementioned , the lack of deep poetic, the lack of traditional Chinese painting and Western painting, pen intended to color, shape combined experience. Liang self-assessment of their style with the words, is Du Yong Qiao precisely the contribution of Chinese painting is different from his key Russian artist.
works depicting street space is Du Qiao oil painting swimming the most noteworthy part of both these works can be classified as scenery, but also can be seen as style. due to the painter preferred the atmosphere of the performance of the overall tone of light, these works into the landscape will be discussed in more point. In these works, the character of Du Yong Qiao temperament, the form of expertise and experience to form his heart charm twists and turns, get their fair share of the echo and background harmony. Prachuab beach town Qiao Du Village is the most familiar and most have emotional ties of the scene, he painted the narrow winding streets, is the language of poetry to recite their own path. College graduate Shortly after the work, . From the eighties of the 1996), center of gravity further away in the alleys of the affection of the old narrative, then, later, In his later series of works, we feel with the old, dark, damp, dilapidated environment with the human warmth, interesting and free brush strokes the artist briefly caused the true quality of the images and enjoy the rich colors imposing and Weimang treatment. The All these are forms of language in painting artist relentless climb of the harvest, Du Yong Qiao Turning said when the pursuit of his art, his ideal work should be pen program, failing to images of the trend, as far as possible to the letter hh sway pen strokes overlap, producing the impression of mysterious, but also by the technique with a variety of subtle color combination of rich, resulting in partial interest in the abstract. (Du Yong Qiao, Lane is in sharp contrast, the comparison illustrates the artist's personality and psychological richness.
portrait of Du Yong Qiao, human and other multi-character scenes, always blending with the environment, water and milk. appreciate his character work , that the artist is not to describe a person and arrange the appropriate environment or background, but in an environment depicting the environment easily described people who appear in the 60's .20 century painting sketch Fun, indeed cherished artist anywhere on the fatigue extremely caring person lying curled up, but as a painting, it will feature characters and environments that the artist will be painting for a unified treatment. God, in short, the whole document, the artist will be fully integrated into the living environment of people, they had to with ox hair tents, barrels of butter and grassland inseparable. fresh air 80-90 years in the human body, such as Children's work (such as . or the weight of pedestrians, or busy with household chores, women or children to learn successfully hh artists their body, color and environment integration, and added a color screen, or points and lines need to rhyme. childhood home, The physical environment of interdependence and the art of the whole. characters and scenery painter in handling one go, no people and the environment out of touch of regret.
throughout the various periods, all subjects are swimming Du Qiao of color, brush strokes and texture of these form of factors play. in the landscape, the characters outside the works, Du Yong Qiao let us appreciate his many tentacles test. For example, in flowers, still life works, his distinctive color full line of mass interest and a variety of points are showing unprecedented unrestrained and free. images, color, light and shadow often contain abstract at a general, more prominent and the overall form of tension.
experience with sharp observation skills and few opportunities, Du Yong Qiao mastered the Chinese painter intoxicated is the total of European classical painting tradition. early Renaissance Italy, for there have been so good at, such as Weiluonaisai tune the performance of rich silver-gray color of the master of the world. Modern French painters, Ke Luo, Xia et al Savannah also play a tune the performance of silver-gray model. only in the fifties and sixties in China, where we can only glimpse of the artist from Russia subtle and elegant silver-gray tone, which of course, with folk art and craft from the traditional bright colored different also popular with 20th century Chinese art scene 30 years They clearly belong to the special painting of a traditional, but can not replace the whole art of painting.
20 century, Chinese painting since the 50's pattern of growth from different backgrounds, generations of artists work together to create the. After the founding of the Republic of culture The artists work together to close the new feature is real life, and to achieve the pursuit of the older generation of Western painting the ideal localization. and the corresponding lack of teaching skills is a painting of. in a long time, institutions oil painting Teaching does not actually teach, guide, or encourage students to think, why for art painting test. This makes the mainstream of mid-20th century painting in the graphic subject matter tends to lack flavor. while the hard professional division, so that teachers and students of art institutions and cultural and aesthetic-minded vision is more narrow than their predecessors, several generations of artists in this environment artistic expression as narrow objective reason. It is in these areas, with its sensitive Du Yong Qiao performed an extraordinary talent. He started to focus on expressive style.
Chinese traditional painting and the Spirit and longer than the light, color, sense of space combined with Western oil painting is a lot of cultural knowledge of the common ideal of Chinese oil painters in the early 60th century, .20, Luo Gongliu to made very clear idea of the arts and some practice. this accomplished painter, when pushed, and Mrs Beach North New chiao Chen. The two artists have in common pursuit of art but each has its own focal point, Chen Beixin in color and image structure, the overall effect has accumulated a wealth of experience; Du Yong Qiao expressive colors and brushstrokes convey implicit and mood, depression, vague and nothing is to. This individual unique atmosphere, so that his artistic creation is not stop at the painting of the treatment. This is not only in the rare artist of his generation, in the contemporary Chinese painters in the sequence is also very prominent mm painting, after all, not just a clear reason, skilled and technology, should also have experience from personal life mood thoughts, it is irreplaceable.
Du Yong Qiao later years demonstrate the persistent pursuit of religious belief, to worship the Buddha from the conversion of Christ, he seems to be looking for a way beyond the existing social order dependent life ideal, it is both secular interests than can be elusive, but also beyond the perceived value of cultural forms of the eternal. experience the history of China the ideal age of vacancies, are used to thinking and introspective artist, hungry for spiritual support. TS Eliot that regardless of culture or religion, both of which means that individuals or groups ; artist), Du Yong Qiao is pious in every stage of life to pursue, regardless of whether the Buddha or Christ, in fact, when he looked set for ourselves at the end of life, beyond a few decades painstakingly painting Another (and more noble) pursuit of the spirit. As Jung said, today's intellectuals, has been difficult to establish faith, but it does make people late into the life and purpose to maintain stamina. We do not have the same pursuit, but can not help but respect his cherished pursuit.
2009 Qingming Swimming
Disease Du Qiao and his students: Cheng jungle, Li Huasheng, Qin, Zhang Xiaogang, Zhou Chunya, upper primary Hua et al
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